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The Writer's Shadow Year of production: 1995 |
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Author Robert David is famous primarily for some more of less trivial detective stories. As the story begins, his latest work is in manuscript, but unlike his previous thrillers this novel revolves around the responsibility of the author to himself and his characters - embodied not in theoretical phrases but rather woven into an exciting plot packed with comic and thrilling aspects. It's "your best work ever!" says his friend Max, who is especially crazy about the female protagonist Sarah, who has fallen in love with Robert in the process of his writing the book. One morning, as described in the novel, Sarah shows up at his door, pestering him with question about her origin. Robert throws Sarah, thinking at first that he is hallucinating, or that a friend is playing a trick on him. Sarah though stays close at Robert's heals, not letting him out of her sight and throwing him into many compromising situations. No matter how hard he ties, the author is powerless against such a strong literary character. After Sarah has read the manuscript and found out a bit about herself, she decides to move in with Robert and demands that he rewrite the novel, specifically the ending. Robert refuses, out of pride and defiance: The real-life Sarah is not at all on a par with the lovable, soft, literary Sarah. And still she seems to more than fascinate him, as the events in the novel begin to take place in reality; Robert is beaten to death by a jealous police officer, with whose wife he has had an affair. Sarah, however, does not want to take responsibility for the author's death; she commits a felony in order to get arrested and be able to disrupt the novel's prescribed course of action of the novel in reality. What happens to a person who claims (in this case rightfully) only to know his or her own first name? Someone who doesn't know where they were born, cannot talk about their education, which was never documented? "Well, a person who doesn't exist is best 'taken care of' in the psychiatric ward," says the police commissioner. Sarah seems to have achieved her goal. Like a mad man, Robert begins writing a biography of his main character and gets her false identification papers through friends. A great celebration is planned for the day of her release, but the police officer takes his revenge by tricking Robert, and Sarah remains imprisoned. With the help of a friend, Robert frees Sarah and the subsequent getaway leads them to a showdown on a wooden bridge - just as in the novel. |
Featuring: Hans-Werner Meyer Gudrun Tielsch Gerhard Haase-Hindenberg Birgit Zamulo Hans-Dieter Knebel Silvia Fenz Johannes Silberschneider Wolfgang Gasser Director: Niki List Screenplay: Bernhard Schärfl Music: Peter Janda Martin Lichtenwallner Camera: Martin Stingl Set design: Peter Krychl Hans Jager Editing: Ingrid Koller |
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